Is it the job of beer writers to expose bad beer? That question was posed the other day on the Beervana blog. It's a fair question. Because many who write about beer are hesitant to report on what's bad or not very good. Is that okay?
It's not hard to understand why many writers don't like to criticize. We tend to become immersed in the industry. In many cases, we know the brewers, the owners, the marketing folks. It's tougher to beat up a beer when you know and like the people who made it. Simple human nature.
There's more. A lot of writers are reluctant to report on bad beer because they fear doing so will cut their access to the few perks we get for this work...occasional beer mail and complementary event access. It's unfortunate, but positive coverage is generally expected. Or you may wind up blacklisted.
Don't believe it? Please. Several years ago I made negative comments about a beer on social media. Almost immediately I was harangued for those comments by a brewery rep, even though what I said was common knowledge in the beer media community. My mistake? Mentioning it publicly.
Shortly thereafter, lines of communication with that brewery, as well as sporadic beer mail, stopped. And that's how things have remained in the years since. When they hold an event, the only way I get invited is if an unknowing PR person floats me an invitation. That has actually happened once or twice...comical.
Another reason some are reluctant to expose bad beer is they double as promoters or hope to work in the industry. They don't want to rock the boat. Then there are the writers who provide apparently objective coverage of breweries, beers and events they have a financial interest in. Have they crossed an ethical line? I think so. Opinions differ.
The reality is, there are hoards of industry shills who specialize in providing glowing coverage of beers, breweries, events, etc. Some do it for money, some do it for pleasure. For the most part, I know who these people are and I know what to expect from them. But the average consumer mostly doesn't know, which is a problem.
My view is that beer writers have a responsibility to provide objective coverage of the good, the bad and the ugly. That means occasionally exposing beers that are obviously flawed or poorly executed. Believe me, there's plenty of bad beer out there. I've had beer bar buyers quietly tell me how much sketchy beer they taste on the road to selecting what to buy and pour.
Is objectivity tougher in our current climate? I think it is, in part due to the breakdown of style guidelines. It's easy enough to identify a flawed pilsner or pale ale. It gets tougher when you're evaluating a beer that's a mix of styles and flavors. That's where personal preference tends to enter the fray and objective coverage shouldn't be driven by that.
Beer writers who aren't willing to report on the good, the bad and the not very good aren't very objective. That can mean a lot of things. But it almost certainly suggests a connection (or desired connection) to the industry that is a bit too cozy. 🍻
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